Farewell to Cinema

As Cinemas go into their inevitable shutdown, we talk about what the last things we saw at the cinema was. Shaun planned a special evening to say goodbye (of course he did). We also talk if cinemas will ever recover or if this is it for the big screen viewing experience as we know it. Interesting, worrying, sad times.

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We discuss Netflix winning by default as films get postponed and the seemingly inevitable shutting of Cinemas gets closer. Tosin talks emotional Pixar in Onward, and emotional horses in Bojack Horseman. Sharon talks emotional singing in Military wives and finally gets to talk about Kursk: The final mission. Shaun rants and raves about stupid things in movies, and when we calm him down, just raves about The Hunt and has a nice Bill Bryson time with Robert Redford.

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We talk the films in the title line.

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56th episode, on with we talk Steve Coogan in Greed and Tosin has a bit of a rant that stops short of mentioning the words 'white', 'privilege' and 'saviour' (at least not close to each other), Agatha Christie being as awesome as Sharon thinks Rufus Sewell's cheekbones are in The Pale Horse (to be fair, shes right), Robert Downey Jr being welsh in Dolittle, Internet Cat killer hunters being vigilant in Don't F**k with Cats, Harrison Ford being second fiddle to a weird looking Dog who ISN'T A REAL DOG!!!! in Call of the Wild, Aldis Hodge being Awesome and keeping Shaun up at night in Brian Banks, Germans being Nice in Waiting for Anya, Clanrence Avant being legendary in The Black Godfather and Shaun being (once again) The Man Who Saw Everything.

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We welcome Shaun back to the podcast by doing a first!! Recording with three of us regulars in three different locations, then very quickly realise why it is that we haven't been doing that.

Amid the chaos, we cover Margot Robbie and friends in Birds of Prey (or the Fantabulous emancipation of One Harley Quinn), Anya Taylor-Joy and a heap of Pastels in Emma. and Kristen Stewart does Aliens underwater in ... Underwater.

On Netflix, we see what all the Adam Sandler fuss is about in Uncut Gems, watch Natasha Lyonne die over an over again in Russian Doll and let Norwegians show us how to do Ragnarok properly.

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While waiting for Shaun to show up after the Great American Adventure, Sharon and Tosin and react to the Oscars, the wins, the upset(s), the blahs and the politics of it all. Tosin particularly happy that the most nominated movie of the night didn't get much.

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It's her Birthday and she'll miss the podcast f she wants to. With Sharon away on Birthday duties, and Shaun in the U S of A. London Correspondent Holly accepts the mission of watching Oscar contenders then blabbing on about them. We cover Queen & Slim, the only film that has extracted a tear from Tosin in the last year (but joy or sorrow?), The Lighthouse, the most baffling film that Holly has ever seen, and on the Netflix area, Holly sees what The Chilling Adventures of Sabrina has for her in a third season and Tosin bids a massively emotional farewell (it's been a teary week alright?) to The Good Place.

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Before Shaun gets on a plane and swans off to America, we discuss colour blind updated and whirlwind Dickens with David Copperfield, Sharon comes up with a belter of a description for the film. We talk Oscars and disappointment and follow up on things that one of us saw on the recommendation of the others.

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We talk the latest in Clint Eastwood's 'American-hero-done-wrong-by-America' Cinematic universe: Richard Jewell.The return of Will Smith and Martin Lawrence in Bad Boys For Life, and Terence Malick back again for another slice of slow paced elegance.

On the Netflix side of things, it's all about Eddie Murphy in Dolemite is My Name, Carl Sagan and friends sending Voyager 1 on a one way mission in The Farthest and Tosin catches up with Natalie Portman in the oddity that is VOX LUX.

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Shaun and Sharon have to head off to a quiz so we have a quick (for us) episode where we race through 1917 (probably the most glow-y we've been about a movie), Bombshell, Just Mercy and Kristen Stewart.

In the Netflix (and friends) corner, we have French drama in Bonfire of destiny, English drama in Harlots (not as sleazy as the title would have you believe), Austrian (? just realised we never established what language this show is filmed in) drama in Vienna Blood and Comedy drama in Bojack Horseman.

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